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Today's Hours
Wando Mount Pleasant Library
Closed
Phone: (843) 805-6888
Main Library
2 p.m. – 5 p.m.
Phone: (843) 805-6930
McClellanville Library
Closed
Phone: (843) 887-3699
Folly Beach Library
Closed
Phone: (843) 588-2001
Miss Jane's Building (Edisto Library Temporary Location)
Closed for renovations
Phone: (843) 869-2355
West Ashley Library
Closed
Phone: (843) 766-6635
John L. Dart Library
Closed
Phone: (843) 722-7550
St. Paul's/Hollywood Library
Closed
Phone: (843) 889-3300
Mt. Pleasant Library
Closed
Phone: (843) 849-6161
Dorchester Road Library
Closed
Phone: (843) 552-6466
Edgar Allan Poe/Sullivan's Island Library
Closed
Phone: (843) 883-3914
John's Island Library
Closed
Phone: (843) 559-1945
Otranto Road Library
Closed
Phone: (843) 572-4094
Hurd/St. Andrews Library
Closed
Phone: (843) 766-2546
Baxter-Patrick James Island
Closed
Phone: (843) 795-6679
Bees Ferry West Ashley Library
Closed
Phone: (843) 805-6892
Village Library
Closed
Phone: (843) 884-9741
Keith Summey North Charleston Library
Closed
Phone: (843) 744-2489
Mobile Library
Closed
Phone: (843) 805-6909
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THE HARLEM RENAISSANCE.
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- Author(s): Robinson, Lisa Clayton
- Source:
Footsteps. Mar/Apr2004, Vol. 6 Issue 2, p14-17. 4p. 1 Color Photograph, 3 Black and White Photographs. - Source:
- Additional Information
- Subject Terms:
- Subject Terms:
- Abstract: When the famous poet, Langston Hughes first went to Harlem as a young college student in 1921, he found a neighborhood, a city, and a people in the middle of exciting social change. Soon, the area became a popular neighborhood for New York's growing black middle and upper-middle class, many of whom had just recently moved to New York from the South, the Midwest, and the Caribbean. Black leaders, including W. E. B. Du Bois and Marcus Garvey, often spoke to large audiences in Harlem about the problems black people faced in the U.S. and the need for them to be proud of themselves and other black people's accomplishments. At the same time, black artists were beginning to think deeply about how black people could create literature, art, and music that acknowledged their place in American culture, but still reflected their black, southern, or even African roots.
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