EL DIBUJO MANUAL COMO HERRAMIENTA TRANSVERSAL EN LA OBRA DE JUAN NAVARRO BALDEWEG.

HAND-DRAWING AS A TRANSVERSAL TOOL IN JUAN NAVARRO BALDEWEG'S WORK.

NAVARRO Baldeweg, Juan, 1939-; ARCHITECTURAL drawing; CREATIVE ability; PAINTING; DRAWING; ART; ARTISTS

Esta investigación nos remite de la obra al proceso creativo, como origen de la singularidad de la obra de Navarro, estadio en el que el dibujo manual siempre está presente como herramienta. En 1 — una actividad artística en que la mano es partícipe de la gestación y desarrollo de la obra, y en el caso de la pintura, de su materialización, es necesario valorar transversalmente su capacidad creativa en el proceso estableciendo su potencialidad a través del dibujar. Un proceso creativo que toma distancia de la actividad artística contemporánea y establece una continuicad entre una determinación personal común y la especificidad de los diversos medios artísticos. El dibujo se produce en un circuito cerrado: ojD-manomente -consciente e inconsciente-y atiende desigualmente a la creación y producción de arquiteciura, pintura, piezas e instalaciones. El dibujo explora -ensaya, resuelve, anticipa—, expresa-codifica, simbo iza, habita— y crea proyecto establee endo sus propias metas. [ABSTRACT FROM AUTHOR]

This research refers us from the work to the creative process, which represents the singularity of Navarro's work. At this point hand-drawing is always present as a creative tool. Bearing in mind that in this kind of artistic activity the hand is involved in the genesis and development of the work, -and specifically on painting, in its materialization-, it is necessary to evaluate its creative capacity across this process, which leads us to the potential of the hand through hand-drawing. It's a creative process that distances him from the contemporary artistic activity and establishes continuity between a common personal determination and the specificity of different plastic art disciplines. The process of hand-drawing takes place in a closed-loop: eye-hand-mind -the conscious and the unconscious- and attends unevenly to the creation and production of architecture, painting, artistic works and installations. Hand-drawing explores-rehearses, resolves, anticipates- expresses -encodes, symbolizes, inhabits- and creates the project by setting its own goals. [ABSTRACT FROM AUTHOR]

Copyright of Revista de EGA is the property of Revista EGA and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)