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Folly Beach Library
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Edgar Allan Poe/Sullivan's Island Library
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![loading](/sites/all/modules/hf_eds/images/loading.gif)
Love and Theft: Plagiarism, Blackface, and Nella Larsen's "Sanctuary".
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![loading](/sites/all/modules/hf_eds/images/loading.gif)
- Author(s): Hochman, Barbara
- Source:
American Literature. Sep2016, Vol. 88 Issue 3, p509-540. 32p. 1 Black and White Photograph. - Source:
- Additional Information
- Subject Terms:
- Abstract: When Nella Larsen's story "Sanctuary" appeared in the Forum in 1930, readers noted its similarity to "Mrs. Adis," a tale by the popular British writer Sheila Kaye-Smith. Scholars concur that "Sanctuary" turns a story about British class-consciousness into a story of African American race loyalty. This essay suggests that the intertextuality of Larsen's "Sanctuary" extends beyond "Mrs. Adis" to a neglected 1903 novella by Edith Wharton, also titled Sanctuary, and that in writing her last story Larsen "blackens up"--imitating, mocking, and distortedly mirroring both sources. Larsen's "Sanctuary" bitterly critiques the triumph of culture, education, and moral agency in Wharton's tale, while reworking "Mrs. Adis" to expose group solidarity as a poor substitute for autonomy, segregation in another guise. Larsen's "Sanctuary" reveals the false promises held out to African Americans by a series of values that were much recommended to them: literacy, filial devotion, Christian charity, and group allegiance. [ABSTRACT FROM AUTHOR]
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