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Aesthetics of Acquisition: Notes on the Transactional Life of Persons and Things in Gabon.
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- Author(s): Bernault, Florence
- Source:
Comparative Studies in Society & History; Jul2015, Vol. 57 Issue 3, p753-779, 27p- Subject Terms:
- Source:
- Additional Information
- Subject Terms:
- Abstract: Based on a historical study of older and newer visual regimes in Gabon, Equatorial Africa, this paper examines spectacles as world-manufacturing processes that produce and circulate assets. Visual and aesthetic strategies have often been analyzed as technologies of the self that transform and manifest people's identities. I show here that they also work as a means to create resources and put them into motion. The notion of “aesthetics of acquisition” helps to capture the dynamic energy of visual events and reinsert them into the realms of economic production and material exchange. If spectacles allow people to acquire riches, produce new statuses, and circulate resources, I argue, the process through which this occurs cannot be analytically reduced to a mere commodification of the person. Instead, I explain how aesthetics of acquisition enable institutional and social actors to assume temporary commodity status, a moment and a strategy that I call “transactional life.” [ABSTRACT FROM PUBLISHER]
- Abstract: Copyright of Comparative Studies in Society & History is the property of Cambridge University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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