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West Ashley Library
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Wando Mount Pleasant Library
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Village Library
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St. Paul's/Hollywood Library
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Keith Summey North Charleston Library
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John's Island Library
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Hurd/St. Andrews Library
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Ver y querer ver: Foto de guerra contra periodismo.
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- Author(s): LEDO ANDIÓN, Margarita1
- Source:
Chasqui (13901079). dic2014, Issue 127, p76-85. 10p. - Source:
- Additional Information
- Alternate Title: See and want to see: War photo against journalism.
Ver e querer ver: Foto de guerra contra jornalismo. - Subject Terms:
- Abstract: Who deserve tears and who just a place in a database? How can we update the substantive role of images in violent conflicts? A letter by MacCullin published in The Times in July the 17th of 1982 talks about the banning of photographing the Falklands: "they saw in my experience –meaning institutions- a thread for the images they intended to show". A making that points political and ideological reasons and that invites to explore the way to free photojournalism from a system that forces it to disappear. "Here is NY: A Democracy of Photographs" was one of those experiences in which everyone could see in the walls of Soho, and as a response to the official 11S images, the picture they took in this instant of death. Ritchin, former editor of The New York Times, considers this practice as a preview to web 2.0 while reminding us that the massive destruction weapons do not exist but there was a war to destroy them. To look for the causes, not to remain in the symptoms as a habit. To give certain facts their names back. To consider our right to adopt an attitude, both personal and political, in front of what is shown and what is hidden. To think about new tools with the active lucidity of Butler, Didi-Huberman, Harum Farocki... [ABSTRACT FROM AUTHOR]
- Abstract: ¿Qué muertos merecen ser llorados y cuáles, simplemente, catalogados? ¿Cómo reactualizar el papel substantivo que tuvo la imagen de conflictos violentos? Una carta de MacCullin publicada en The Times el 17 de julio de 1982 trata sobre la prohibición de fotografiar Malvinas: "vieron en mi experiencia en materia de reportaje de guerra -se refiere a las instituciones- una amenaza para las imágenes que deseaban comunicar". Una toma de posición que señala razones políticas e ideológicas y que invita a explorar el modo y manera de liberar el fotoperiodismo de un sistema que lo conduce a su desaparición. "Here is NY: A Democracy of Photographs" fue una de esas experiencias en la que cada persona podía ver en los muros del Soho, en respuesta a la imagen oficial del US, la foto que tomara de ese instante de muerte y que Ritchin, antiguo editor de The NY Times, considera una práctica precursora de la web 2.0. mientras nos recuerda que las armas de destrucción masiva no existen pero se hizo una guerra para destruirlas. Ir a las causas frente al hábito de quedar en los síntomas; devolverle su nombre a determinados hechos; sabernos con derecho a tomar posición, personal y política, en torno a lo que se muestra, alrededor de lo que se nos oculta. Pensar nuevos útiles con la lucidez activa de Butler, Didi-Huberman, Harum Farocki... [ABSTRACT FROM AUTHOR]
- Abstract: Quais morios merecem ser chorados e quais, simplesmente, catalogados? Como volver atualizar o papel de fundo que jogou a imagem de conflitos violentos? Uma carta do MacCullin publicada em Times a 17de julho de 1982 refere-se á proibição de fotografar Malvinas: "na minha experiência de reportagem de guerra viram -as instituições- urna ameaça para as imagens que eles queriam comunicar". A atitude aponta para razóes políticas e ideológicas e convida a explorar o modo e a forma de liberar o fotojornalismo de urn sistema que o leva à sua morte. "Aquí Nova lorque: Uma Democracia de Fotografías" foi uma daquelas experiências onde todos puderam ver ñas paredes do Soho, em resposta à imagem oficial do US, a foto que tiraram de um momento de morte e que Ritchin, ex-editor do NY Times, considerou uma prática precursora da web 2.0 enquanto lembra que as armas de destruição em massa não existem, mas fez-se a guerra para as destruir. Ir para as causas contra o hábito de ficar nos sintomas; restaurar seu próprio nome a certos fatos; sabérmonos com direito a tomar posição, pessoal e política, sobre o que é mostrado, em torno do quevaiser velado.Pensar novas ferramentas com a lucidez ativa de Butler, Didi-Huberman, Harum Farocki... [ABSTRACT FROM AUTHOR]
- Alternate Title:
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